Archive for the 'Writers on Craft' Category
We are pleased to welcome Cristina M. R. Norcross to this month’s Writers on Craft.
We are pleased to welcome Zoe Zolbrod to this month’s Writers on Craft. Zoe Zolbrod is the author of the memoir The Telling (Curbside Splendor, 2016) and the novel Currency (Other Voices Books, 2010), which was a Friends of American Writers prize finalist. Her essays have appeared in Salon, Stir Journal, The Weeklings, The Manifest Station, […]
I’m a maximalist – retrained maximalist perhaps, but a maximalist all the same. Much like fashion: I admire minimalism in writing and fashion by can’t pull it off in either. I’m far too interested in piling on texture.
Write what hurts.
You’ve got to let writing be writing, and editing be editing. That’s rule one. When you’re writing, you need to trust that everything you’re putting down is genius. Trust yourself completely. Be embarrassingly self-indulgent. When you’re editing, then the claws come out.
Kill zombie clichés! They are the true walking dead—at least for writers.
I think it might have a special mission to highlight the difficulty of young people being able to cope with any kind of major disaster or family issue in their lives, because Reesie has to deal with all of that.
We are pleased to welcome Barry Graham to this month’s installment of Writers on Craft. Barry Graham is a writer, healer, foodie, Tic-Tac-Toe champion, horror enthusiast, and founder of DOGZPLOT. His latest book, American Guerrillas: Manifesto is out now from Underground Books. He is a regular contributor for Revolution John Magazine and a perpetuator of […]
I consciously set out to monkey-wrench the literary het dominated landscape in an effort to raise questions and diversify what we mean when we say sex, sexuality, sexual identification, and even love.
Disassociate as much from your work as possible. Once it’s complete, in a form you find fitting, it’s important to step aside, let it settle in; leave it behind for a day, week, month, year. Let it become something you can view objectively.
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