Anthony was five, the walls in the army base apartment a fatherless beige. He played on the floor with his brother, James, and his mother, a cool-eyed grass widow. They had no Hotwheels, Legos or plastic army men. The mother was grooming companions.
‘Bid, Anthony. No talking across the table.'
‘But I don't know how.'
‘Baby,” said James. At seven, James was already a savvy bridge player.
The mother sighed. ‘How many points do you have?'
‘That would be talking across the table,' Anthony said. “And actually we're on the floor, so I can't be talking across the table.”
‘Smart aleck.'
A cold hand stung Anthony's cheek.
‘Young man!” the mother shouted into the kitchen where Anthony had retreated. “Come back and finish this game. Quitters never win.' She shouted until Anthony felt sorry for her and came back. His father was not quitting in Vietnam, so Anthony would endure his mother's anger and learn her adult game.
And he was quick about it. He sponged up meanings for finesse, rubber and dummy. Finesse was something you did with a queen to get a king. Though statistically it didn't work often, Anthony became especially good at finessing. A rubber was what you won for winning two games in a row (though he never saw the ones he won). And In three-handed bridge, the dummy was the fourth pile of cards on the floor, which he always wanted but seldom got.|
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This appeared recently at 52l250 in the last round of stories with the theme "Threesome".
If you read it here, please also stop by 52l250 A Year of Flash. Comment there if you like. Support these sweet people.
http://52250flash.wordpress.com/2011/05/11/three-handed-bridge-by-christopher-allen/
This scene is loosely taken from my manuscript Three-handed Bridge, an unpublished novel.
Yes.
Yes.
Yes.
(makes a threesome...Fave!)
Outstanding Christopher! Such a great natural voice here. Know this experience well, as my mother used to get my sister and me out of bed to play Canasta with her and her friend Nonie. This one really resonates for me. . .
Infinitely sad; fabulous character work; so so visual!
*
Love these lines:
"...And he was quick about it. He sponged up meanings for finesse, rubber and dummy..."
I love it when fiction this compressed "delivers the goods."
Great story!
wonderfully sad - nice work!
So sad!
"a fatherless beige"!!! "a cool-eyed grass widow!!" This was amazing, Christopher!! Loved it from beginning to end!! Builds the tension so beautifully!!! ******
Lots good going on in this story. Well done voice with some great turns of phrase throughout.
Fantastic! *
I love the phrase "fatherless beige." They should make a crayon for that color. Fine tension here and I like the ending.
Very glad Susan and you put me onto this, Chris, I especially like the way the bridge terms seem to get loaded with secondary meanings( Maybe Primary!) in the last paragraph.
beige - so bland, no father.
great/
I remember this from 52/250, and was always struck by the first sentence's 'fatherless beige'. Peace *
The finesse, the rubber, the three handed bridge--all allusions to something deeper and more profound being taught around this threesome by a mother less than ideal. Fascinating underpinnings to this piece, Chris.*
Christopher,
I am coming to this late but just love it. You are a poet of absence. Heart-wrenching. Ihope you place that novel soon. *
I didn't discover this until now--what a powerful story of how our world gets crippled by war, and yet we must learn to make sense of it. Powerful last image, too. *