Betty's finger got married to the circular saw on a brilliant Saturday in June.
It wasn't her ring finger, but whatever.
There was one witness and he referred to the blood-spurting ceremony later as "resplendent."
I knew the circular saw from my high school days. We'd cut class and not smoke cigarettes out behind the gymnasium. Cigarette after cigarette we wouldn't smoke together, flicking no butts end over end into the gravel there.
The saw was round by definition, 1/4" thick, vicious gnashing teeth carved into its rotating maw by some other, steel-cutting saw. The light of mid-70's afternoons glinting off sharp points.
Betty moved in over the donut shop in 82. Her legs were as long as a flight of stairs. Her hair existed, and whole queues of gents waited to run their fingers through its tangled embrace.
I, like everyone else, trained my binoculars through her windows to watch her eat pasta. She was always at the far end of a noodle from some tramp.
I rode up and down the strip in my Camaro, the circular saw strapped in the passenger seat egging me on to go faster.
We wanted danger. We traded curse words for the color purple under our eyes. We traded fat lips for bloody knuckles. It was a free market mercantilism of violence and unchecked emotion.
That year, I watched Betty run her mollusk tongue down the unterraced terrain of the circular saw's body. They were at the drive-in and a 1,000-foot projection of severed body parts flashed on the screen.
I hid under the car like an oil spill.
And then they disappeared like an elopement. I sat in my apartment and painted it egg-shell white. I opened the window and stuck my head out trying to wear my whole house like a body. I wanted to peel my body off and be done with it.
The next time I saw her, Betty's finger stopped short at the knuckle. I wanted to tell her how much safer she'd be strapped into the chair in my basement. But my teeth were stained with a bloody sheen.
Interesting juxtaposition of inner life and outer gory. For some reason, the smallness of the scene, or the town, impressed me most: watching her eat pasta through the window. Seat in a basement. Betty turns into a different creature altogether, a little like those contemporary artists who use their body as art—often hard to look at and I'm not sure what it means if anything, but it's hard to forget.
This is haunting. I think it will marinate in my head for a long while.
I like the imagery and tension in this.
Surreal and full of surprises!
Actually love the title, it sets you up a certain expectation that does not follow through, which is, well, resplendent.
Quirky piece with great gorror, quite like Hannibal Lector. So many great lines... Peace...
The twists and turns here are pretty startling, but all together, it makes a kind of wonderful sense.*
Cinematic. Painterly. Twisted in a quite appealing fashion. A wild ride. It works for me.
Dig it!
thanks, everybody!
"I'm not sure what it means if anything."
great rythmn ..& I so love: I opened the window and stuck my head out trying to wear my whole house like a body.
+ oil spill - and all of it - word choice, really swishy. *